Surrealism & Marxism: Notes on Breton, Césaire, and Miéville for Future Considerations

14237493_10207211959367278_5274789933012419958_nMarcel Sauvage, “Le Fin de Paris” (1932)

The original post has been edited and re-published by some friends at Blind Field – A Journal of Cultural Inquiry. You can read the updated version here